EDIROL HQ ORCHESTRAL VST FULL
EDIROL HQ ORCHESTRAL VST DOWNLOAD
EDIROL HQ ORCHESTRAL VST FREE

EDIROL HQ ORCHESTRAL VST FULL

You'll be asked to join the site to get it but it's the full version, no time limit, official and you get Miroslav Strings with it which are not to be sniffed at in themselves.

EDIROL HQ ORCHESTRAL VST FREE

There's also a legal free version of Sampletank going here Haven't tried Analog Matrix or Virtuoso yet. Prefer Edirol! Their Ethereal Pads are great, though, love them. And there's the DSK collection here.Įverything good apart from Overture which needs mucho tweako by them and I myself wouldn't touch it yet. Have a look on the other pages, of course, most of the soundfonts are good. Look out for BHCello, which is really good, and Cellofan, also good but only works on Channel One which can be a bit of a bore sometimes! But worth it for the quality of the sound. Checkout Gort's Doubledecker too, here.Īlong with a host of other great soundfonts. Some of them don't sound like their names but DO sound like something else, that's why I say go by the sound, not by the name. The Saint James soundfonts are here - they're excellent orchestral soundfonts -Īnd there's loads of other good soundfonts there too, just use a bit of reverb and EQ.

EDIROL HQ ORCHESTRAL VST DOWNLOAD

The NEW HQ version for sure costs money from the Roland website and I bet it's better than the old version - but the old version is still pretty good and as you can't buy it, you gotta download it. You can't buy it any more, even if you wanted to. This ISN'T a 'dodgy download' per se because it's the OLD version. The choir at the end is the Soul Oohs soundfont, free and legit. I've just written a little piece, completely extemporaneously, on Edirol - nothing else - to show you what I mean. Spiccato strings, great background strings/harp/cellos/oboe/flute to die for. And there's the wonderful Gort's Double-Decker - again, ignore the sound names, listen to the sounds and imagine what you can use them for, remembering you can use EQ to make them sound totally different (I know you know that but we get used to using EQ just to make them sound more like themselves, forgetting we can use it to change their nature totally.) Try the Saint James Orchestral Soundfonts if for some reason you don't want to use Edirol. You want to go and rescue it - mind you, people say that about all my pieces but however. I've even got a rave soundfont that's the saddest, loneliest sound ever if you just drop it into a New Age piece. Hawaii not!) It's church bells have never seen a church - but they're GREAT Tubular Bells! I've got a ton of soundfonts that are nothing to do with their names, so I've renamed them all as what I use them for. Keep the pan-pipe a little quiet so it's just the echo from the slide and you're home free. But - it's a GREAT slide guitar!! (If you layer it with the Hawaiian Guitar from Evanescence 2, they sound superb together. Does it sound anything like one? Nope, not even in the same city. For instance, Evanescence 2 has got something called a pan-pipe. My own take on soundfonts is this: listen to the sound, not the name. And add a little reverb and the sounds don't brush up too badly, you know? They're - er - rather large soundfonts - 1 gig each (sheesh!) but there's a program called Soundfont Splitter that splits the individual sounds out and Viena to recombine them into your own sets. Also, there's Evanescence and Evanescence 2. You can even use EQ to cut out the loud frequencies, making it sound quieter, not fake/false. It needs careful EQ! But the effort's worth it. If you want a piano to sit on top of the Edirol Orchestra - I know it's got one but again that's a bit soft - there's a lovely Roland 64-voice piano soundfont out there which I use all the time. You can run many instances without significantly using more memory/processor as after the first instance has loaded its sounds, the others all share the same soundset, they're not loading in their own separate set each time.

All the instruments sound real - but some WILL need a bit of compression on if you want them to stand out. The strings are great - they used to get used in B-movies, once. The best - and now free - virtual orchestra floating around the Internet is Edirol Orchestral. Posted by Christopher John Ulrich Burke on Maat 10:59am in Music Technology

Edirol hq orchestral vst